Adrian Ward
Adrian Ward
Adrian Ward
Batman Cowl
Made from 3.175kg (110oz) of pure 9999 silver, this life-size, 1-of-1 collectible delivers an iconic symbol of the Dark Knight. Inspired by BATMAN: THE ANIMATED SERIES, its mirror finish and striking silhouette showcase a powerful blend of DC Super Hero lore and cutting-edge silver artistry.
Never to be repeated, this masterpiece is the result of 150 hours of meticulous craftsmanship, including the ancient lost-wax casting technique used to create the final piece.
This masterwork was presented at New York Comic Con, hosted at the Goldin booth.
The auction was held at Goldin between October 17 and 29 (EST), to benefit Save the Children.
Interview with Artur from Agoro and Adrian, the Artist Behind Agoro’s 1-of-1 Silver Batman Cowl.
About the Artist’s Background
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Can you share a bit about your journey as a silver artist? How did you get started in this field?
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After finishing a Melbourne University degree in Fine Art Sculpture, I chose to follow my passion for art, despite the financial risks. Fifteen years ago, I took a leap and liquidated my assets to invest in silver, discovering it to be an extraordinary medium for sculpting. However, pure silver is not designed for casting like Sterling silver, which is an alloy. This led to a series of early expensive failures—it felt like I was battling the odds, much like Batman himself. Over time, I developed a method to cast fine silver with ever higher sculptural resolution and became the only sculptor in the world able to do so.
What drew you to working with fine silver as a medium? What do you find most inspiring about it?
Silver is an incredible element—literally created in the heart of a star. Its history, purity, and versatility make it an inspiring material for artistic expression.
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About the Project
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How did you feel when you were approached to create this one-of-a-kind silver Batman cowl? What was your initial reaction?
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When I met the Agoro team in Melbourne, I was immediately drawn to their vision of reinvigorating silver with a fresh identity. The idea of crafting a zoomorphic representation of Batman—the shaman-like figure who embodies the fusion of man and bat—was captivating. The ancient archetype of a superpowered or supernatural figure is timeless, and silver, with its mystical qualities, seemed like the perfect medium for it.
Can you walk us through the design process?
After our initial meeting, I began with the mask provided, using it as an armature (internal structure) to build upon. I layered materials like auto products, including car bog and spray, to achieve the sharp, angular look inspired by the early comic, animated, and television Batman series. Seeing the positive response to the final sculptural piece, I proceeded to create a silicone mold and then refined the wax version before using the ancient lost-wax casting technique to cast the final piece.
Were there any particular challenges you faced while crafting this piece? How did you overcome them?
Silver is a notoriously soft material, which makes it prone to scratching. I had to be meticulous, gradually sanding the surface from a rough 180 grit to a fine 3000 grit before polishing it to a mirror finish. The journey from raw material to a polished sculpture was demanding, but seeing the object transform in my hands was a thrilling artistic experience.
Can you talk about the piece being made from 9999 recycled silver?
The silver was sourced from a factory where old x-rays are burned and refined to extract pure silver. For every 330 x-rays processed, only 1kg of silver is retrieved. This sustainable approach adds another layer of significance to the piece.
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About the Craftsmanship
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The cowl is handmade—what are some of the unique techniques you used in its creation?
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It took over 150 hours to complete the cowl, involving conceptualization, detailed modeling, and a lot of trial and error. The most time-consuming aspect was refining the original artwork and then polishing the final silver piece to a flawless finish.
What specific details or elements are you particularly proud of in this piece?
Under intense pressure to meet a Warner Bros. deadline, I worked nearly 48 hours straight. The turning point came around 1 a.m. while polishing—the moment when the mirror finish finally emerged. Watching the cowl come alive, transforming from raw material into something entirely new, was an exhilarating artistic high. When you reach that level of reflection, it’s a deeply rewarding experience.
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Artistic Vision and Collaboration
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What was your artistic vision for the cowl? How did you balance staying true to your style while also meeting the expectations of the collaboration?
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The concept of merging ancient shamanistic archetypes with modern superhero lore guided my vision. Agoro was incredibly supportive throughout the process, showing genuine excitement at every stage. When I finally unveiled the finished piece at dinner, the team’s reaction was priceless—it felt like we had all created something special together.
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Storytelling and Significance
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What story or emotion do you hope to convey through this silver cowl?
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I see this piece as a modern-day interpretation of the ancient stories told through art. Like Michelangelo, who tackled blockbuster narratives in his time, I believe these superhero tales are our contemporary mythologies. The cowl embodies the idea of unity and duality—man and bat, human and superhuman—and explores the boundaries between them.
How do you think this piece will resonate with those who see it, especially knowing it’s a one-of-a-kind creation?
I hope viewers will see the intersection between ancient storytelling and contemporary culture. The craftsmanship and the rarity of the piece should make it something truly memorable.
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Looking Ahead
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What does this project mean to you in the broader context of your career as an artist?
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As someone who works with a financialized element like fine silver, I’m focused on creating art that resonates with people while pushing artistic boundaries. I see this project as a step towards blending high artistic aspirations with cultural relevance—making art that’s not only collectible but also deeply meaningful.
Are there any future projects or collaborations that you’re excited about?
I always have projects on the go. Currently, this includes a revival of realistic relief bronze portraiture for Libitina funeral memorials. But whatever comes next, I aim to bring a sense of reality and artistry to mainstream intellectual properties, reinterpreting them through a creative lens. I’m in a space without templates or rules, but as they say, audentes Fortuna iuvat (fortune favors the brave).
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